Kenwood Trio TA 71 – Tonearm

The TA-71 Trio is one of those lesser-known tonearms that ends up surprising those who give it a chance. Designed at a time when Japanese engineering treated vinyl with true mechanical rigour (developed in collaboration with the NHK Technical Research Institute), it is a static balance S-tube tonearm designed to work well with medium compliance

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Micro Seiki MA 303 – Tonearm

The Micro Seiki MA-303 is one of those tonearms that quietly remind you why vintage Japanese engineering still has such a cult following. Designed in the late 1970s, it’s a static-balance arm with a 222 mm effective length and sensible geometry, aimed squarely at real-world cartridges rather than exotic laboratory pieces. On paper it’s straightforward,

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Sanyo JCX 2600 KR

In the late 1970s, Sanyo introduced the JCX series of receivers, a bold move to prove the brand could compete head-to-head with the established giants of Japanese hi-fi. These machines were large, heavy, and built to a standard that surprised many who only associated Sanyo with budget electronics. At the top of the range sat

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